Technical

Technical information, usually computer related

Lightroom: Create Wallpaper in Lightroom

Many smart photographers offer free backgrounds, aka wallpaper, to people and potential clients. What's a wallpaper? It's an image used as a background for a computer, a tablet, or a cell phone. The problem with the wallpapers is that you need to offer a wallpaper at the resolution of the computer/device or it will look bad. Ask the owners of the iPad 3, aka the new iPad. Many apps and wallpapers do not support the new resolution and look terrible on the iPad 3.

Sit down, strap your seat belt, there will be some math involved.

  • Select the photo or the photos
  • Print and output to JPEG. Sounds simple but remember the math…

For “regular” computers, this means desktops and good laptops, you should set the resolution to 96 ppi. For the iPad 1 and the iPad 2, the resolution is 1024 by 768 pixels at 132 ppi, For the iPad 3, aka the new iPad, the resolution is 2048 by 1536 pixels at 264 ppi. Many Netbooks have a screen resolution of 1024 by 768 at 72 ppi. The iPhone 4 has a resolution of 960 by 640 pixels at 326 ppi.

You will need these numbers. What does this all mean? It means that you will have to make a few wallpapers of the same image for the different sizes and resolutions.

Lightroom 4: The Brushes

Not too many people use the brushes, they are either afraid or don't know how to. The brushes compensate for the lack of layers in Lightroom vs. PhotoShop. The brushes can do the vast majority of the everyday use of the layers. The brushes do not have the advanced power of the layers in PhotoShop, but for everyday use…

When using the brushes, I recommend being at 2:1 or even higher, so you can see the details.

  1. Press on the Brush at tag #1. BTW, to me, this doesn't look like a brush but it looks more like a match that is about to be lit.
  2. This opens the brush/local adjustment panel.
  3. The first thing to deal with is the size and the feather of the brush. The size, tag #2, is big or small in pixels. The feather, tag #3, is the edge and how big it will be and is an additional softness to the brush. The feather shows as the second outer circle. A hard brush has a feather of 0 and displays as a single circle.

Burst Rate vs Frames per Second

Many people confuse Burst Rate with Frames per Second (fps) speeds:

  • Burst Rate: How many of photographs you can take in a continuous/single burst without shutting down.
  • Frames per second: The speed at which you can take consecutive shots.

The burst rate is related to how much internal memory the camera has. The higher the RAM, the higher the burst rate, but eventually the camera needs to store the images from the internal memory onto the memory card.

Canon: How Old is Your Canon Lens?

In 1986, with the design of the EOS System (Electro-Optical System, EOS started to ship in 1987), Canon started added a date code to their lenses.

Many of the new Canon lenses do not have a date code.

A large number of the Canon lenses have a date code in the form of "UX0311". Often it's on the lens mount.

The first letter, "U", indicates that the lens was made in Utsunomiya factory.

U = Utsunomiya, Japan
F = Fukushima, Japan
O = Oita, Japan

Canon: Accurate Zone AF

Waiting for something to happen He is waiting for the nesting Sandhill Crane to switch.The cranes take turn sitting on the eggs, so they can go and eat...reifel-20120428-6247.jpg — ©2012 Syv Ritch -- foto-biz.com: http://www.foto-biz.com/usageterms

Videographer Waiting for Something to Happen   click on image for gallery

As you can see, I was able to get the face in focus through the reeds across the pond. Here's is the crop.

Lightroom: The Negative

In the “good old days”, before the advent of digital, many professionals and a few “more serious” amateurs used slide films, but the vast majority of people, including most portrait and wedding photographers, used negatives to take their photos. Today, it's rare to see a negative.

There is no need to use Photoshop, it's very easy and simple to create negatives in Lightroom:

  1. Select a photo, it should be of a simple design
  2. Create a virtual copy
  3. In the Tone Curve section of the Develop module, switch to Linear

Canon: Cancelling the AE Lock

There are two ways of locking the exposure settings:

  1. Do nothing, it's already done for you if:

    • You are using Evaluative and
    • You are using One-Shot AF

    Whenever you are pressing the shutter half-way in evaluation and one-shot modes, all Canon dSLRs (to date) do an AE Lock. You can see it in action by moving the camera around and you will see that the exposure settings will not change.

Lightroom 4: Basic Panel Sliders The “Right Way”

As everybody knows by now, Adobe has changed the way the sliders of the basic panel operates. 0 = No effect, and then there is the +100 to -100 and the effect depends on the beer, the tequila or the coffee.

So what's the right way? Of course, my way is the “right way.” In Lightroom 1, 2 and 3, I used the Auto as the starting point for my changes/setting the photo, not anymore in LR4. I do not like how LR4 does the Auto.

Lightroom 4: Before and After in less than 20 seconds

Lightroom 4: Before and After in less than 20 seconds

This is not a finished photo, but it's more than good enough to show the person and if he picks it, then it will be fine tuned like opening the eyes, sharpening for the skin, clarity, vibrance…

“Cloud” or Bust

By now, you must have heard that Adobe will release Photoshop CS6 in the first week of May. One of the big new feature is the cloud! I see and read a lot of “misunderstanding / misinformation” about the cloud. People use the word “cloud” just like people used the “information super highway” expression in the years 1996-1997.

  1. What's the cloud? When they talk about the cloud, they either mean that the data and/or some programs are on computers/servers that are accessed via the Internet. In the “good old days,” the data and/or the programs were stored on the local network. You could walk to the server room and see the computers, the lights, the cables and some techie that was looking after the whole “shebang.” The advantage and/or the problem with the cloud is that you do not know what's inside, how it's configured…

Color Space and Your Camera

If you are only using print and not using the web, then don't bother reading this blog post. For the rest of us, this is one of the most important and fundamental to photography and the web. BTW ain't you reading this on the web?

Go to this web page: http://regex.info/blog/photo-tech/color-spaces-page2 but not yet, let me first explain. You will need to have Javascript enabled on your web browser to analyse the web page.

There a big photograph that you can view in the various color spaces: sRGB, AdobeRBG, ColorMatch, ProPhoto, WideRGB and AppleRGB.

Canon 7D: 6 Customs Settings

According to the manual, the Canon 7D has 3 customs settings: C1, C2 and C3. Contrarily to the manual, I use 6 custom settings.

  1. I paid full price when the Canon 7D came out in September 2010.
  2. I want to get my money's worth.
  3. I'm special ;)

Like everybody else, I first used the C1, C2, and the C3 Camera User settings.

  • C1: My basic Av default setup, ISO 400, f/6.3, Daylight, Zone Af, and High speed continuous.

EC vs FEC

What is EC? What is FEC? It's alphabet soup that stands for Exposure Compensation and Flash Exposure Compensation. This is used to differentiate what photographers do on the camera vs what photographers do on the flash. The Nikon world is completely different from the Canon world.

In the Nikon world, the formula is: EC + FEC = Total Exposure Compensation. An Exposure compensation of -2 on the camera and a Flash Exposure Compensation of +2 = -2 + 2 = 0, no exposure compensation.

In the Canon world, it's much more interesting.

Canon: Focusing Modes: Why & When

Canon has extremely sophisticated focusing systems, but there are still people that can't make them work. Most of the problems are due to the fact that they do not understand how Canon has designed them to fit all the various possibilities/combinations. I explained it on DPReview.com. Here it is in a slightly different format.

One Shot

The AF assumes that the subject is static

  • If the subject is static, The AF will achieve focus immediately and that's it, you can remove your finger from the back button, it won't keep on focusing.
  • If the subject is moving, the photos will be out of focus.

AI Servo

Flash: Fired but Severly Underexposed. Why?

The other evening, I took this photo:

Flash didn't fire properly

The flash didn't fire properly

The photo is taken f/5.6 1/80s ISO 800 with the flash. I didn't have an external flash with me and just wanted to add some light, f/2.8 1/40s and ISO 1600 or 3200 would have been good enough.

There are 2 exposures:

  • The ambient light, it's enough to give the feeling of the area/background.

Canon 7D: Why is my 1st Photo Fuzzy?

One of the common problem with the Canon 7D, 60D and 1DMk4… is that the first couple of photographs are fuzzy, and all the other photos after that are sharp and crisp.

The 2 major causes are:

  1. The IS/VR, in the Canon lingo: Image Stabilization, in the Nikon lingo: Vibration Reduction in the Nikon world
  2. The focus

Image Stabilization/Vibration Reduction

In Canon and Nikon cameras, the image stabilization (VR in Nikon) is in the lens. The other camera manufacturers followed Olympus' lead when it created the image stabilization directly in the camera body.

The image stabilization/vibration reduction uses some motion sensors and 1 or 2 micro-gyroscopes to shift, either some element of the lens, or the CMOS/CCD sensor. Basically, it introduces another movement to counter-act your movement. You can see it in action if you mount a “not a new generation” IS/VR lens on a tripod with mode 1 enabled with the head slightly loose, then the camera will start to drift.

It takes half a second for the Image Stabilization/Vibration Reduction to kick in. This means that the IS/VR engages half a second after the focus has been engaged. The IS/VR has started, but it hasn't achieved stabilization yet. It can take between another ½ sec to another full second to achieve stabilization. With the new Canon L lenses and the new Nikon VRII lenses, when the IS/VR has been achieved after another second, the IS/VR reaches the Lotus position and achieves “nirvana” to give the full 4 or 5 f/stop of improvement.

Image Stabilization Canon calls it: Image Stabilization, Nikon calls it Vibration Reduction, Sony calls it SteadyShot, Pentax calls it Sensor-shift Image Stabilization, Sigma call it Optical Stabilization and so on.It's very much black magic. It's based on between two to as many as six tiny gyroscopes that track the pitch and the yaw to compensate for the pan and tilt either on the CMOS/CCD sensor or on one element in the lens. They will give you between 2 f/stops to as many as 5 f/stops, it depends on the technology and the circumstances.The secret to using the IS/VR/SS… is keep engaging it, usually by keeping the finger half pressed on the shutter for more than ½ of a second to ¾ of a second and keep it there, then use the continuous shooting. The IS/VR/SS… keeps improving as you keep on shooting, especially if you are steady.Overall, the image stabilization is more effective when it's built-in the lens instead of the camera. When it's in the lens, the image stabilization is done before the focus and this help with the auto-focus. When the image stabilization is done in the camera bodyimage-stabilization.jpg — ©2011 Syv Ritch -- foto-biz.com: http://www.foto-biz.com/usageterms

2 photos taken 0.125 sec apart with Image Stabilization on for both photos

This is the equivalent of using a tripod.

Focus mode

Canon 7D: The Dioptre Adjustment

The prism contains a lot of “stuff”. It's the top of the camera and houses the flash, the hot shoe for the external flash and inside, it contains the pentaprism which is according to Canon gives a vertical/horizontal coverage of approximately 100% (p253 of the manual). The prism also contains a lot of electronics and sensors like the AF sensors and the exposure control.

The pentaprism is designed so that the eye is 22mm away from the eyepiece.

Canon 7D: Selecting the AF Point Without Using the AF Point Selection Button

You can select the AF Point with the Joystick/Multi-Controller without first pressing the AF point selection/Magnify button. This applies to:

  • Single-Point AF
  • Spot AF
  • Zone AF

But you first need to configure the camera:

  1. You need to assign the Joystick/Multi-Controller to the AF Selection button with the Menu > Custom Function (2nd icon from the right) > C.Fn IV: Operation/Others > 1 Custom Controls (p 217 of the manual) > Assign the multi-controller to the AF point direct selection (p 220 of the manual).

    You need to do this only once.

Canon: 7D: Flash Exposure Lock

Canon 580 EX II flash/speedlight

Canon has this wonderful thing for flash, it's the E-TTL II system. With E-TTL II, you can control the exposure and the flash exposure separately. Basically, it sends a pre-flash to read the exposure across the 63 metering zones for what's dark (interpreted as background) and what's bright (interpreted as foreground). The problem is that I was looking to set the exposure and to lock that flash exposure for the rest of the photos.

The problem is where is the Flash Exposure Lock (FE Lock) button? I can't see it on the flash. I can't see it in the Canon 7D's menu. And of course, I didn't have any of the manuals with me.

Lightroom: Improve Your Photos in Less than 1 minute

Whenever somebody complains that their photos do not look “right”, the “Mr Know-It-All” will always give the same answer:

Hey, idiot! Why are you asking that dumb question? Obviously, you didn't calibrate your …

Just add the word monitor, printer…

Does calibration help? Yes, but not as much as you think, the problem is that it's almost impossible to match colors over different mediums. You can say and do whatever you want, you will never be able to exactly match the LCD screen that is illuminated from behind to a print that reflects light.

So what can you do? You have to make some choices and decisions.

You can calibrate everything and use Pantone colors (standard colors) in your photos, while matching the Pantone colors at every step of the way and hope/pray that the other people viewing your photos/prints are also fully calibrated from their lighting to their Adobe RGB capable LCD monitors.

You can decide that most of your photos are used for screen display by other people or to be viewed in various web browser, on iPhones/smartphones, photo frames…

Canon: Camera Error Codes

Before we go into the error codes with the Canon Cameras, you need to realize that all the new digital cameras from the cheapest point and shoot to the most expensive Hasselblad are not cameras but computers with a lens at the front, a screen at the back and various buttons instead of a keyboard. They all have a CPU, a screen, memory and a drive (usually some flash) to store the photos.

Canon like most camera manufacturers have not been very helpful in figuring out what are the problems with the cameras. Here's the list of what I figured out:

Lightroom: Kind Of

A vacuum cleaner is something that uses a fan to push air out to create some vacuum to suck up dust and dirt. So what's that got to do with Lightroom? You see, Lightroom is a software that runs on a computer.

Most computers have many fans, my workstation has five fans. Four of the fans pull air out and the fifth fan push air in.

Canon: The Right Way of Metering

Canon has 4+ metering modes:

  1. Evaluative Metering
  2. Partial Metering
  3. Spot Metering
  4. Center-weighted Average Metering

All new dSLRs have similar modes, they just call it differently

And then there's the manual mode. So what's the right way? That depends:

  • On the direction of the wind
  • The age of the captain
  • What about the exposing to the right?

Does this sound whimsical? Because exposure is whimsical. There's no right exposure. It just depends. The metering is only one step in the exposure.

Speeding up Lightroom, not so Cheap

Just before Xmas, I started to have problems with my computer (again.) This time, it was the video card. Either the video card was on “the fritz”, or the problem was with the driver. I had an nVidia 310GT video card that came with the computer. So I bought an Asus nVidia 550GT video card for the grand total of $129 Canadian.

This new video card with the current video driver, from nVidia's website, supports hardware acceleration. This means that any of the screen operations are not done by the CPU but by the video card.

Image Stabilization The Proper Way

Canon calls it Image Stabilization, Nikon calls it Vibration Reduction, Sony calls it SteadyShot, Pentax calls it Sensor-shift Image Stabilization, Sigma call it Optical Stabilization and so on.

It's very much black magic. It's based on between two to as many as six tiny gyroscopes that track the pitch and the yaw to compensate for the movements of the photographer either on the CMOS/CCD sensor or around one of the optical element of the lens.

Canon 7D: My Basic Setups

Recently, I was asked as to what was my everyday use setup for the Canon 7D. I have 5 stored settings. Yes, I know that there's only C1/C2/C3 but I can set the A mode and the M mode and the Canon 7D remember these settings.

I do mostly indoor landscapes and indoor & outdoor portraits, be it people or animals.

  1. I have removed the focus from the shutter. I always use the AF-ON back button or the focus will change every time that I press the shutter. See: Canon 7D and the AF-ON Button

Flash: The Dreaded Green Eyes

For people, it's red and for almost all animals it's green. By now, the vast majority of the processing software can fix the red eyes with just a click of the mouse. But for cats, dogs and the other animals, they get the green eyes with the flash in their face. Most software cannot process it. Here's my way of almost removing the green eyes in Lightroom, but it's not perfect, Lightroom: How To Remove The Green Eyes in Animals

Buzz The Cat

If you look at the EXIF data from this photograph, you will see:

Canon: Pressing the Shutter and Evaluative Metering

Everybody knows, by now, that there are two steps to the shutter button:

  1. Pressing the shutter half-way activates the auto-focus, if the focus is still associated to the shutter button, and sets the automatic exposure combination in Av, Tv, or P mode.
  2. Pressing completely the shutter takes the photo.

What most people do not realize is that when you are in Evaluative Metering and Single Shot AF mode, pressing the shutter half way locks the exposure for 4 seconds.

Digital Photography - A Basic Manual

This is an interesting book from Henry Horenstein. It's unusual. It's a book about the basics, like f/stops… as a technical introduction to photography. It's not like the “… for dummies”. This reminds me of a text book, it's structured, just like a course. It's not just for dSLRs but most of the book also applies to point and shoot cameras.

I like the “plain” English. The photos are excellent and are appropriate to the topic that they illustrate.

Canon's Image Stabilization In Action

Canon optical image stabilization in action

Canon Optical Image Stabilization In Action

This photo has zero, no processing, this is a straight screen capture. You can see Canon's optical image stabilization in action. As you can see from the box, both photos were taken at 1/50sec on a 70-200L f/4 IS at 187mm.

Flash & Lens Coverage

The Canon 580 and 430 series flashes have a zoom head. Both flashes have the coverage of lenses from 24mm to 105mm. The flash talks to the camera and ask for the lens setting and will adjust accordingly, through the fancy of the electronics … Canon calls it the E-TTL II.

What about for a Canon 7D, the T3i, the 1DMk4, the… the crop/APS-C or APS-H sensor cameras? The flash knows the camera and the flash understands the lens/sensor settings. The flash will adjust the flash coverage automatically, only if you are in the E-TTL mode.

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